BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//wp-events-plugin.com//7.2.3.1//EN
TZID:America/New_York
X-WR-TIMEZONE:America/New_York
BEGIN:VEVENT
UID:1560@beaconplayers.com
DTSTART;TZID=America/New_York:20230324T143000
DTEND;TZID=America/New_York:20230324T210000
DTSTAMP:20230319T031255Z
URL:https://beaconplayers.com/events/cue-to-cue-rehearsal/
SUMMARY:Cue to Cue Rehearsal
DESCRIPTION:Turntable /Scene Change Cue to Cue\nEntire Cast - All Elementa
 ry Cast Members NOT CALLED with the exception of Gavroche\, Young Cosette 
 and Young Eponine\, they ARE called\n&nbsp\;\n\nPLEASE READ -  Rehearsals
  that occur early in the production process are sometimes referred to as '
 run-throughs'. Typically a run-through doesn't contain many of the technic
 al aspects of a performance\, and is primarily used to assist performers i
 n learning dialogues and to solidify aspects of blocking and stage movemen
 t.\n\nA Q-2-Q or 'cue to cue' is a type of technical rehearsal and is inte
 nded primarily for the lighting and audio technicians involved in a perfor
 mance\, although they are of great value to the entire ensemble. It is int
 ended to allow the technicians and stage manager to rehearse the technical
  aspects of a performance - when lights have to be turned on\, sound effec
 ts triggered\, and items rolled on and off the stage - and identify and re
 solve any glitches that may arises. Performers typically do not rehearse e
 ntire scenes during a Q-2-Q\, but instead only perform dialogues or action
 s that are used by the stage manager as a marker for when to initiate tech
 nical sequences of cues.
CATEGORIES:Rehearsal
END:VEVENT
BEGIN:VTIMEZONE
TZID:America/New_York
X-LIC-LOCATION:America/New_York
BEGIN:DAYLIGHT
DTSTART:20230312T030000
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
END:DAYLIGHT
END:VTIMEZONE
END:VCALENDAR